Do the Right Thing

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Do the Right Thing
Directed by Spike Lee
Written by Spike Lee
Starring Danny Aiello
Ossie Davis
Ruby Dee
Richard Edson
Spike Lee
Bill Nunn
Rosie Perez
Produced by Spike Lee
Distributed by Universal Pictures
Release date June 30, 1989 (USA)
Runtime 120 min.
Language English
Budget $6,500,000
IMDb page

Do the Right Thing is a 1989 motion picture produced, written, and directed by Spike Lee and released by Universal Pictures. The film tells a tale of bigotry and racial conflict in a multi-ethnic community in the Bedford-Stuyvesant neighborhood of Brooklyn, New York, on the hottest day of the year. It stars Lee, Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Bill Nunn and John Turturro. Do the Right Thing also marks the feature film debuts of both Martin Lawrence and Rosie Perez.

In 1999, the film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. A Criterion Collection DVD of Do the Right Thing has been released: it is no. 97 in the Criterion series.

The song "Fight the Power" by Public Enemy is a recurring aural motif in the film, as blasted from a huge boombox toted by Radio Raheem (Nunn).

Roger Ebert famously said it was "the only film to ever make me cry." [1]

Contents

Synopsis

The film features a multitude of characters, almost all of which are portrayed sympathetically. The main character in the film is Mookie (Lee), a young man who lives with his sister and works as a pizza delivery man for the local Sal's Pizzeria. Mookie isn't very diligent about making his deliveries with any sort of punctuality, but is obsessed with making money: "I gotta get paid". Sal, the pizzeria’s Italian-American owner, has owned the shop for decades, even after most of the other white residents have moved out, because he respects his customers. His youngest son Vito (Edison) shares his view, but his eldest son Pino (Turturro) "detests the place like a sickness" and "hates niggers."

The Bed-Stuy street corner the characters populate is filled with distinct characters, most of whom are just trying to find a way to deal with the intense heat and go about their regular day-to-day activities. A philandering drunk called Da Mayor (Davis) is constantly trying to win both the approval and affection of the neighborhood matron Mother-Sister (Dee). Three unemployed brothers on the corner constantly crack jokes on passersby, and comment on the Korean owners of the nearby convenience store. Mookie's girlfriend (Perez) is constantly nagging him about caring for their infant son. A young man named Radio Raheem (Nunn) lives for nothing else but to blast Public Enemy's "Fight the Power" on his boombox wherever he goes, and wears a "love" and "hate" four-fingered ring on either hand to symbolize the struggle between the two forces. A retarded man named Smiley (Roger Guenveur Smith) constantly meanders about the neighborhood, holding up hand-colored (with crayons) pictures of Malcolm X and Martin Luther King, Jr. A DJ named Mister Senor Love Daddy (Samuel L. Jackson) operates a radio station out of his apartment bedroom.

Mookie's best friend is Buggin' Out (Esposito), a Black nationalist who makes sure his points are heard by whoever is in ear shot. Upon entering Sal's shop, he notices that Sal's "Wall of Fame" is decorated with dozens of pictures of celebrity actors, athletes, etc.--all of them Italian. When Buggin' Out questions Sal about the "Wall of Fame" and demands he place some pictures of African-American celebrities on the wall (since, he explains, Sal's pizzeria is situated in a black neighborhood), Sal replies that this is his store, he is proud of his Italian heritage, and that he isn't going to put anyone but Italians on his wall. Buggin' Out attempts to start a protest over the "Wall of Fame", but no one will listen to him or take his trivial issue seriously except for Radio Raheem, who had been thrown out of Sal's earlier that day for refusing to turn off his boombox.

Radio Raheem and Buggin' Out march back into Sal's, and stage a sit-in protest until Sal changes the pictures on the wall. Radio Raheem's boombox is blaring, as always, Public Enemy's "Fight the Power", and at the highest volume possible. Sal demands that they turn the radio down or leave the shop, which the two men refuse to do. Reaching his wit's end, Sal snaps, and, after screaming "turn that jungle music off!", destroys Radio Raheem's boombox with a baseball bat. His prized possession destroyed, Radio Raheem goes insane and begins choking Sal. A fight ensues between Buggin' Out & Radio Raheem on one side and Sal & Pino on the other, with Vito and Mookie trying to break it up. The fight spills out into the streets, where a white policeman apprehends Radio Raheem and places him in a choke hold that kills him (a reference to a 1983 incident where graffiti artist Michael Stewart was apprehended for defacing public property, and placed in a choke hold by the police that killed him).

The fight had by this time gathered a large crowd of onlookers, all of whom become enraged after the police kill Radio Raheem. Deciding that the floodgates are going to burst open eventually, Mookie grabs a trashcan and, screaming "HATE!", slings it through the window to Sal's. The angry crowd becomes an angry riotous mob, and rushes into the restaurant and destroys everything within. More police arrive, and begin spraying the crowd with water and attacking them violently, trying to control them. When it is all over, Sal's pizzeria is burned beyond recognition, Sal and his two sons (saved by Da Mayor just before the riot starts) are out of a business, Buggin' Out has been carted off to jail, and Smiley, with no one else around to see, wanders back into the smoldering restaurant and, sympathetic to Buggin' Out's cause, hangs on what's left of Sal's "Wall of Fame" a picture of Malcom X and Martin Luther King, Jr. shaking hands.

The next day, Mookie goes to Sal's, where the two discuss the incident, Mookie gets his money, and he and Sal cautiously reconcile.

The film ends with two quotations. The first, from Martin Luther King, argues that violence is never justified under any circumstances. The second, from Malcolm X, argues that violence is justified when used to counter forces of oppression. The audience is left to resolve the contradiction themselves.

Controversies

The film was released to protests from many reviewers, including Joe Klein in New York magazine; it was openly stated in several newspapers that the film could incite black audiences to riot. In the event, no such riots occurred, and Lee criticized white reviewers for assuming that black audiences were incapable of restraining themselves while watching fiction.

However, scant months after the film was released, black college students rioted at the Greekfest in Virginia Beach, not because anyone was slain, but because the city had made them feel unwelcome. Though it is a controversial suggestion, some say that Lee's movie was the hidden catalyst, as it had made violent protest briefly fashionable.

The central question at the end of the film is whether Mookie 'does the right thing' when he throws the garbage can through the window, thus inciting the riot that destroys Sal's pizzeria. The question is directly raised by the contradictory quotations that end the film, one advocating non-violence, the other advocating violent self-defence in response to oppression. Lee himself has stated that this question is only one that bothers white viewers. He believes that the key point is that Mookie was angry at the death of Radio Raheem, and that viewers who consider the riot unjustified are implicitly valuing white property over the life of a black man.

Trivia

  • The character of Smiley was not in the original script; he was created by Roger Guenveur Smith, who was pestering Spike Lee for a role in the film.
  • The film was shot entirely on a real street in the Bed-Stuy neighbourhood. The street's colour scheme was, however, heavily altered by the production designer, who used a great deal of red and orange paint in order to help convey the sense of a heatwave.
  • The ovens in the pizzeria set were actually operational, and Danny Aiello learned to knead pizza dough in preparation for his role.

References

  • Spike Lee's Last Word. Documentary on the Criterion Collection DVD of Do the Right Thing. 2000.
  • Spike Lee et al. Commentary on the Criterion Collection DVD of Do the Right Thing. 2000.

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