Painter and decorator
From Wikipedia, the free encyclopedia.
A painter and decorator is a tradesman responsible for the painting and decorating of buildings, and is also known as a decorator or house painter.
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History of the trade
Cave paintings, although primitive, are the earliest form of mural decoration known today. Whilst the purpose of these decorations can only be speculated upon, most theories assert a degree of skill involved in their creation, a skill which is carried through in the trade of the house painter.
In England, little is known of the trade and its structures before the late 1200s, at which point guilds began to form, amongst them the Painters Company and the Stainers Company. These two guilds eventually merged with the consent of the Lord Mayor of London in 1502, forming the Painter-Stainers Company. The guild standardised the craft and acted as a protector of the trade secrets, in 1599 asking Parliament for protection, which was eventually granted in a bill of 1606, which granted the trade protection from outside competition such as plasterers.
The Act legislated for a seven year apprenticeship, and also barred plasterers from painting, unless apprenticed to a painter, with the penalty for such painting being a fine of £5. The Act also enshrined a maximum daily fee of 16 old pence for their labour.
Enforcement of this Act by the Painter-Stainers Company was sought up until the early 1800s, with master painters gathering irregularly to decide the fees which a journeyman could charge, and also instigating an early version of a job centre in 1769, advertising in the London press a "house of call" system which allowed masters to advertise for journeymen and also for journeymen to advertise for work. The guild's power in setting the fee a journeyman could charge was eventually overturned by law in 1827, and the period after this saw the guild's power diminish, along with that of the other guilds; the gulds were superceded by trade unions, with the Operative United Painters' Union formed sometime around 1831.
In 1894 a national association formed, recreating itself in 1918 as the National Federation of Master Painters and Decorators of England and Wales, changing it's name once again to the British Decorators Association before merging, in 2002, with the Painting & Decorating Federation to form the Painting & Decorating Association. The Construction Industry Joint Council, a body formed of both unions and business organisations, today has responsibility for the setting of pay levels.
Tools of the trade
The brush and the roller are the tools most readily associated with the painter. Recent advances in manufacture have led to a standardisation of brushes, with many older brushes falling from fashion.
The ground brush, also known as a pound brush, was a round or elliptical brush bound by wire, cord or metal. They were generally heavy to use, and required considerable usage to break them in. These brushes were predominately used in the days before modern paint manufacture techniques; hand mixed paints requiring more working to create the finish. These brushes still have use in applying primer; the brushes are useful in working the primer into the grain of the wood. Pound brushes required an even breaking in to create even bevel on both sides of the brush minimising the formation of a point which would render the brush useless.
Sash tools were smaller brushes, similar to a ground brush, and used mainly for cutting in sash or glazing bars found on windows.
Sash tools and ground brushes generally required bridling before use, and a painter's efficiency in this skill was generally used as a guide to their overall ability. Both these brushes have largely been superceded by the modern varnish brush.
Varnish brushes are the common flat brushes available today, used for painting as well as varnishing. Brushes intended for varnishing typically have a bevelled edge.
Distemper brushes, used for applying distemper, were best made of pure bristle and bound by copper bands to prevent rust damage. Styles differed across the world, with flat nailed brushes popular in the North of England, a two knot brush (a brush with two ovular heads) popular in the South of England, and three knot brushes or flat head brushes preferred elsewhere. In the United States distemper brushes were known as calcimine, kalsomine or calsomine brushes, each term being the U.S. variant of distemper.
Fitches are smaller brushes, either ovular or flat and 1 inch wide, used in fine work such as to pick out the detail on a painted moulding.
Stipplers come in various shapes and sizes and are used to apply paint with a stippled effect.
A duster or jamb brush was used to dust the area to be painted before work commenced.
Limewash brushes were large brushes with a triangular head used to apply limewash.
Stencil brushes, similar in style to a shaving brush and used for the purpose of stencilling walls or in the creation of hand-made wallpapers.
Brushes are best stored in a purpose made brush keeper, a box on which a wire could be suspended: the wire would be threaded through the hole in a brushes handle so as to suspend the brush in a cleaning solution without allowing the brush to sit on the bottom of the container and thus cause spreading of the bristles. The solution would also prevent hardening of the brushes and oxidisation. These were generally rectangular and stored several brushes. A lid would enclose the brushes and keep them free from dust.
Activities of the trade
Historically, the painter and decorator was responsible for the mixing of the paint; keeping a ready supply of pigments, oils, thinners, driers and sundries. The painter would use his experience to determine a suitable mixture dependent upon the nature of the job. This role has reduced almost to zero as modern paint manufactoring techniques and architect specifications have created a reliance on brand label products.
Larger firms operating within the trade were generally capable of performing many painting or decoration services, from signwriting, to the gilding of objects or even the finishing or re-finishing of furniture.
Reference
- The Modern Painter and Decorator volume 1 1921 Caxton
