Soap opera

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Soap Opera redirects here. For the album by The Kinks, see Soap Opera.

The first TIME cover devoted to soap operas: Dated January 12, 1976, Bill Hayes and Susan Seaforth Hayes of Days of Our Lives are featured with the headline "Soap Operas: Sex and suffering in the afternoon".

A soap opera is an ongoing, episodic work of fiction, usually broadcast on television or radio and most recently on mobile phones. This genre of TV and radio entertainment has been in existence long enough for audiences to recognize them simply by the term soap. What differentiates a soap from other television drama programs is their open-ended nature. Plots run concurrently, and lead into further developments: there is rarely a need to "wrap things up", although soaps that run in series for only part of the year tend to bring things to a dramatic cliffhanger.

1 Development of the "soap opera"
2 Soap opera characteristics
- 2.1 Plots and storylines
- 2.2 "Soap music"
3 Soaps in the United States
4 Soaps in the United Kingdom
5 Soaps in Australia
6 Soap parodies
7 See also
8 External links

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Development of the "soap opera"

The soap opera form first developed on US radio in the 1920s, and expanded into television starting in the 1940s, and is normally shown during the daytime, hence the alternative name, daytime drama. The first concerted effort to air continuing drama occurred in 1946 on the DuMont television series Faraway Hill. Soap operas, in their present format, were introduced to television in 1949. Two long-running soaps, Search for Tomorrow and Love of Life, first started broadcasts in 1951.

The term "soap opera" originated from the fact that when these serial dramas were aired on daytime radio, the commercials aired during the shows were largely aimed at housewives. Many of the products sold during these commercials were laundry and cleaning items. This specific type of radio drama came to be associated with these particular commercials, and this gave rise to the term "soap opera" — a melodramatic story that aired commercials for soap products. Though soap operas are still sponsored by companies such as Procter & Gamble, the diverse demographic groups that soap operas attract have caused other advertisements for such things as acne medication and birth control, appealing to a much younger audience.

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Soap opera characteristics

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Plots and storylines

Most soaps follow the lives of a group of characters who live or work in a particular place. The storylines follow the day-to-day lives of these characters, who seem similar to ordinary people on the street — except that soap opera characters are usually more handsome, beautiful, seductive, and rich than the typical person watching the TV show. Soap operas take everyday, ordinary lives and exaggerate them to a degree where they are still plausible, yet are more dramatic.

Romances, secret relationships, extra-marital affairs, and genuine love has been the basis for the vast majority of soap operas. The most memorable soap opera characters, and the most compelling and popular storylines, have usually involved a romance between two characters, of the sort often presented in paperback romance novels. Soap opera storylines weave intricate, convoluted, sometimes confusing tales of characters who have affairs, meet mysterious strangers and fall in love, are swept off their feet by dashing (yet treacherous) lovers, sneak behind their lovers' backs, and engage in other forms of adultery that keep their audiences returning to find out who is sleeping with whom, who has betrayed whom, who is having a baby, who is related to each other, and so on.

Remarkable (sometimes unbelievable) coincidences are used to enhance the drama in most soap operas. For example, if a young woman in a soap secretly has a single sexual encounter with her boyfriend back in high school, this forbidden affair will certainly come back to haunt her several years later...usually at the very moment that it would cause the most harm (such as on the day of her wedding). Previously-unknown (and often evil) twins regularly emerge, and unexpected calamities disrupt weddings with unusual frequency. Much like comic books—another popular form of linear storytelling—a character's death is not guaranteed to be permanent without an on-camera corpse, and sometimes not even then. A good example of a death that seemed to be permanent was Dr. Taylor Forrester on The Bold and the Beautiful, who had flatlined on-camera and even had a funeral. When actress Hunter Tylo returned to the show in 2005, the "flatlining" was explained away with the revelation that Taylor had actually gone into a coma.

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"Soap music"

In addition, the musical soundtrack used for a soap opera uses a style that instantly identifies it as belonging to soap operas. Soaps aired during the golden age of radio usually used organs to produce most of their music (because they were cheaper than full-blown orchestras). The organists from the radio serials moved over to television, and were heard on some serials as late as the 1970s.

Like the storylines themselves, soap opera soundtracks were overblown and melodramatic. An instantly recognizable characteristic of a soap (one that has been spoofed and imitated many times) consists of a scene where a lovely woman tells her husband or boyfriend that she no longer loves him, for she has been seeing someone else...and at that moment, a single, blaring organ chord resonates on the soundtrack, emphasizing this dramatic moment. Organ music has been abandoned on the serials for thirty years now and pre-recorded music has largely taken its place. For most of the 1970s and continuing through the latter part of the 1990s, full orchestras performed the underscore. Today, however, soap music performances have, in a sense, come full circle from keyboard to keyboard as it is almost entirely done by synthesizers, thereby avoiding the high cost of using orchestras.

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Soaps in the United States

The American soap opera The Guiding Light started as a radio drama in January 1937 and subsequently transferred to television. With the exception of several years in the late 1940s when Irna Phillips was in dispute with Procter & Gamble, The Guiding Light has been heard or seen every weekday since it started, making it the longest story ever told. Other American soaps that have been telecast for more than thirty years (and are still in rotation) include As the World Turns, General Hospital, Days of Our Lives, One Life to Live, All My Children, and The Young and the Restless. Due to the shows' longevities, it is not uncommon for multiple actors to play a single character over the span of many years. It is also not uncommon for a single actor to play several characters on other shows over the years. Actors such as Robin Mattson, Roscoe Born and Michael Sabatino have played no less than six soap roles.

In the USA, the shows purely known in the vernacular as soap operas are broadcast during daytime. In the beginning, the serials were broadcast as fifteen-minute installments each weekday. In 1956, the first half-hour soaps debuted, and all of the soaps broadcast half-hour episodes by the end of the 1960s. When the soap opera hit a fever pitch in the 1970s, popular demand had most of the shows, one by one, expanded to an hour in length (one show, Another World, even expanded to ninety minutes for a short time). More than half of the serials (and all of the pre-'80s hour-long serials on the air today) expanded to the new time format by 1980. Today, eight out of the nine American serials air sixty-minute episodes each weekday.

The USA soap opera Port Charles used the practice of running 13-week "story arcs", in which the main events of the arc are played out and wrapped up over the 13 weeks, although some storylines did continue over more than one arc.

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The Golden Age of American television

Joanne, the heroine of Search for Tomorrow, in the 1970s.

Many soaps, in the beginning of television, found their niches in telling stories in certain environments. The Doctors and General Hospital, in the beginning, told stories almost exclusively from inside the confines of a hospital. As the World Turns dealt heavily with Chris Hughes's law practice and the travails of his wife Nancy who, when she tired of being "the loyal housewife" in the 1970s, became one of the first older women on the serials to become a working woman. The Guiding Light dealt with Bert Bauer (Charita Bauer) and her endless marital troubles. When her status moved to that of the caring mother and town matriarch, her children's marital troubles were then put on display. Search for Tomorrow told the story, for the most part, through the eyes of one woman only: the heroine, Joanne (Mary Stuart). Even when stories revolved around other characters, she was almost always a main fixture in their storylines. Days of Our Lives first told the stories of Dr. Tom Horton and his steadfast wife Alice. In later years, the show branched out and told the stories of their five children.

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American soaps: for the evening, too

Prime time serials were just as popular as those in daytime. The first real prime time soap opera was Peyton Place (1964-1969), based in part on the original 1957 movie (which was itself taken from the 1956 novel). The structure of the series (its episodic plots and running story arcs) would set the mold for the prime time serials of the 1980s when the format reached its pinnacle.

The most successful prime time serials of the 1980s included Dallas, Dynasty, Knots Landing and Falcon Crest. The primetime soaps of the 1990's focus on younger people such as Beverly Hills 90210, Melrose Place and Dawson's Creek. In the late 1990's and early 2000's, cable is where a lot of the new primetime soaps could be found, like Sex and the City and Queer As Folk. Currently, the primetime soap seems to be making a comeback with The O.C. and Desperate Housewives. Housewives is the first primetime soap since the 1985-1986 season to been in the top ten for the overall season.

Certain other shows that did not officially fit the category of prime time serials, such as Hill Street Blues, St. Elsewhere, E.R., The West Wing, Friends, and Cheers, also started to have soap opera themes.

The soap opera's distinctive open plot structure and complex continuity was eventually adopted in major American prime time television programs. The first significant one was Hill Street Blues, produced by Steven Bochco, which featured many elements borrowed from soap operas such as an ensemble cast, multi-episode storylines and extensive character development over the course of the series. The success of this series soon gave rise to a variety of other serious drama and science fiction series which took much the same elements to structure their own storylines.

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Characteristics of American soaps today

While U.S. soaps stay true to the original soap opera ideal to a large extent, many storyline and filming techniques set them apart from soap operas in other countries.

More recently, the American soap opera "Passions" currently involves some supernatural or science fiction elements in their ongoing storylines. This can include, for instance, an alien character or a vampire character (most infamously seen on Port Charles). Often, these characters are isolated in only one of the ongoing storyline "threads", which can seemingly allow a fan to ignore them if they do not like that element, a form of krypto-revisionism.

Martha Byrne from As the World Turns, exhibiting the effects of back lighting on one's hair.

American soap operas since the 1980s have shared many common visual elements that set them apart dramatically from other shows:

Overhead spotlighting, or back lighting, is often placed directly over the heads of all the actors in the forground, causing an unnatural shadowing of their features along with a highlighting of their hair. Back lighting was always a standard technique of film and television lighting, though it was mostly abandoned in the mid-to-late eighties due to its somewhat unnatural look. The technique has nevertheless persisted in soap operas.

The rooms in a house often use deep stained wood wall panels and furniture, along with many elements of brown leather furniture. This creates an overall "brown" look which is very noticeable, and which is supposed to be associated with the wealth of the characters portrayed.
The video quality of a soap opera is usually lower than comparable prime time television shows of the time, due to the lower budgets and quicker production times involved. This is due to the fact that the shows are recorded on videotape and not on film like primetime productions.

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Current American daytime television schedule

The daytime serials in America air five days a week, Monday through Friday. Local affiliates have the right to air the serials whenever they wish, but this is how the networks schedule them. All times are Eastern local time* (subtract one hour for all other time zones).

*Guiding Light airs at 10 a.m. in some markets in the East, while some local CBS affiliates do not air it at all.

*In some markets, Days of our Lives and Passions air on NBC affiliates with a one-hour difference either earlier or later (this stemmed from a 1990s agreement that many affiliates switch the timeslots of Days of Our Lives and Another World, which previously occupied the slot Passions now holds).

*The scheduling of other soaps is at the discretion of your local station, so check your local listings for exact times in your area.

	12:30 PM	1:00 PM	1:30 PM	2:00 PM	3:00 PM
ABC	Local Programming	All My Children		One Life to Live	General Hospital
CBS	The Young and the Restless		The Bold and the Beautiful	As the World Turns	Guiding Light
NBC	Local Programming	Days of Our Lives		Passions	Local Programming

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Soaps in the United Kingdom

In the United Kingdom, soap operas are one of the most popular genres, most being broadcast during prime time. Unlike the rich, glamorous and good-looking characters typical of US soap operas, most UK soaps focus on working-class communities. The most popular is ITV's Coronation Street, which regularly attracts the highest viewing figures for any programme.

Coronation Street has been a popular soap opera in the United Kingdom since the show was first aired in 1960.

As in the USA, soap operas began on radio and consequently were associated with the BBC. The BBC continues to broadcast one of the earlier radio "soap opera" programmes in Britain, the ever popular Archers, on Radio 4. It has been running since 1951 nationally. It continues to attract over five million listeners, or roughly 25% of the radio listening population of the UK at that time of the evening. Although British soaps do not have the same commercial origins as their American counterparts, the term "soap opera" was adopted in Britain for this genre in the early 1980s with the influx of popular American soaps such as Dallas and Dynasty.

In the 1960s, Coronation Street set the trend and other popular soaps included Emergency Ward 10 (ITV), and on the BBC Compact (about the staff of a women's magazine) and The Newcomers (about the upheaval caused by a large firm setting up a plant in a small town). During the 1960s Corrie's main rival was Crossroads, which started in 1964 and was broadcast by ITV at teatime. Crossroads was set in a Birmingham (England) motel and while popular, the show's purported low technical standard and bad acting was much mocked. By the 1980s its ratings began to decline and several attempts to revamp the series through cast changes and later, expanding the focus from the motel to the surrounding community, were unsuccessful, and Crossroads was cancelled in 1988. A later rival to Corrie was ITV's Emmerdale Farm (later renamed Emmerdale) which began in 1972 and had a similar northern setting (Yorkshire, this time). When Channel 4 launched in 1982 it came complete with the Liverpool based Brookside that over the next decade re-defined the UK television soap. In 1985, the London based soap opera EastEnders debuted and was a near instant success with viewers and critics alike. Critics talked about the downfall of Coronation Street, but this was put to rest in 1994 when the two serials were scheduled opposite each other, with Corrie winning handily. For the better part of ten years, the show has shared the number one position with Coronation Street, but the ratings for EastEnders reached an all-time low as of late 2004, allowing Corrie to regain the top spot.

Family Affairs is the flagship soap on five, and has aired five episodes a week since its debut in 1997.

Daytime soaps were unknown until the 1970s because there was virtually no daytime television in the UK. ITV introduced General Hospital, which later transferred to a prime time slot, and Scottish Television had Take the High Road, which lasted for over twenty years. However, it was with the influx of Australian programmes such as The Young Doctors and eventually, Neighbours and Home and Away, that the soap boom really began. 1992 saw the BBC launch the disastrous Eldorado to alternate with Eastenders but it only lasted a year, but this failure did not stop the ever increasing prominence that soap operas would have in UK schedules. In 2001 a new version of Crossroads was produced featuring a mostly new cast, but it did not achieve satisfactory ratings and was cancelled in 2003.

Unlike US daytime soaps which have almost always been shown five episodes a week, Monday through Friday, the UK soaps usually only aired on two nights of the week (with the exception of Crossroads, which began as a five day a week soap opera, but was later reduced). In 1989, things started to change when Coronation Street began airing three times a week (later expanding further to four in 1996), a trend which was soon followed by rival EastEnders in 1994 and Emmerdale in 1997. In 1997, Family Affairs debuted as a five-days-a-week soap.

Today, Coronation Street (which began screening two episodes on Monday nights in 2002), Family Affairs and Hollyoaks all produce five episodes a week, while EastEnders screens four. In 2004, Emmerdale began screening six episodes a week leading to the concern that soap operas in the UK were at saturation level.

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Soaps in Australia

Title card from a 1975 episode of Number 96

While not having nearly as many soap operas as the United States or the UK, Australia has had quite a number of well known soap operas, some of which have gained cult followings in the UK and other countries. The majority of Australian soap operas were produced for early evening or evening timeslots. They usually produce two or two-and-a-half hours of new material each week, either arranged as four or five half-hour episodes a week, or two one-hour episodes.

The first successful wave of Australian evening soap operas started in the late 1960s with Bellbird produced by the Australian Broadcasting Corporation. This rural-based serial was a moderate success but built-up a consistent and loyal viewer base. The first big soap opera hit in Australia was the sex-melodrama Number 96 which began in March 1972, screening on Network Ten. Number 96 brought such rarely explored topics as homosexuality, adultery, drug use, rape-within-marriage and racism into Australian living rooms en masse. By 1973 it had become Australia's highest-rating show. In 1974 the sexed-up antics of Number 96 prompted the creation of The Box, which rivaled it in terms of nudity and sexual situations. Produced by Crawford Productions, many critics considered The Box to be a more slickly produced and better written show than Number 96. Meanwhile in 1974 the Reg Grundy Organisation created its first soap opera, and significantly Australia's first teen soap opera, Class of '74. Its attempts to hint at the sex and sin shown more openly on Number 96 and The Box meant it came under intense scrutiny of the Broadcasting Control Board who vetted scripts and altered whole storylines. By 1975 both Number 96 and The Box, perhaps as a reaction to declining ratings for both shows, de-emphasised the sex and nudity moving more in the direction of comedy. Class of '74 was renamed Class of '75 for its second year but ratings dwindled and this year would also be its last.

A feature film version of Bellbird entitled Country Town was produced in 1971 not by the Australian Broadcasting Corporation but by two of the show's stars, Gary Gray and Terry McDermott. Number 96 and The Box also had feature film versions, both of which had the same title as the series, released in 1974 and 1975 respectively. As Australian television was in black and white until 1975 these theatrical releases all had the novelty of being in colour. The film versions of Number 96 and The Box also allowed more explicit nudity than could be shown on television at that time.

Launched on the Nine Network in late 1976 was The Sullivans, a series chronicling the affects of World War II on a working-class Melbourne family. Produced by Crawford's this show was a ratings success and attracted many positive reviews. At around the same time Grundy's created a new teen-oriented soap, The Young Doctors, which also screened on Channel Nine starting late 1976. This show eschewed the sex and sin of Number 96 and The Box instead emphasising light-weight storylines and romance. It was also popular but unlike The Sullivans it was not a success with critics. Meanwhile in 1977 Number 96 would re-introduce nudity, with several much-publicised full-frontal nude scenes featured in an attempt to boost the show's plummeting ratings.

Bellbird, Number 96 and The Box were all cancelled in 1977; all had been experiencing declining ratings since 1975 and various attempts to revamp the shows with cast reshuffles or spectacular disaster storylines had proved only temporarily successful. Late that year they were replaced by such successful new shows as the Crawfords Produced Cop Shop (1977-1984) on Channel Seven, which was a meld of soap opera and police drama, and The Restless Years (1977-1981) on Channel Ten, which was another teen soap produced by the Reg Grundy Organisation. The Reg Grundy Organisation subsequently reached even higher levels of success with women's-prison drama Prisoner (1979-1986) on Network Ten, and melodramatic family saga Sons and Daughters (1981-1987) on the Seven Network. Both shows achieved high ratings in their first run, and unusually, found success in repeats after their original runs ended.

The Young Doctors and The Sullivans ran on Nine until 1982. Thereafter Channel Nine attempted many new soap operas, several produced by The Reg Grundy Organisation including Taurus Rising, Starting Out, Waterloo Station and Possession, along with Prime Time produced by Crawford's, but none were successful and most were cancelled after only a few months. The Reg Grundy Organisation also created Neighbours for the Seven Network in 1985. This suburban-based daily serial was devised as a sedate family drama with some comedy and lightweight situations, however when the series went to air it was consigned by Seven to the 5.30 PM slot as they had recently extended their news service into the slot Neighbours would have taken. The show proved to be only a moderate success and was cancelled by Seven at the end of 1985, however the show was picked-up by Channel Ten who revamped the cast and the scripts, and after a concerted publicity drive turned the series into a major success still running today.

Neighbours is currently Australia's longest-running soap opera.

The success of Neighbours prompted the creation of somewhat similar suburban and family or teen-oriented soap operas such as Home and Away (1988-) on Channel Seven and Richmond Hill (1988) on Channel Ten. Both proved popular, however Richmond Hill emerged as only a moderate success and was cancelled after one year to be replaced on Ten by E Street (1989-1993).

Meanwhile Nine had still failed to find a successful new soap opera. After the failure of family drama Family And Friends in 1990 they launched the raunchier and more extreme Chances in 1991, a series that would resurrect the sex and melodrama of Number 96 and The Box in an attempt to improve the show's chances of ratings success. However it too achieved only moderate ratings, although the increasingly bizarre storylines were much-discussed and the series continued into 1992 albeit in a late-night timeslot.

Several Australian soap operas have also found significant international success. In the UK starting in the mid 1980s daytime screenings of The Young Doctors, The Sullivans, Sons and Daughters and Neighbours achieved significant success. Neighbours was subsequently moved to a prime-time slot. Grundy's Prisoner began screening in the United States in 1979 and achieved high ratings in many regions there, however only the first three years of the series would be screened in that country. Prisoner was also screened in late-night timeslots in the UK beginning in the late 1980s, achieving enduring cult success there. The show became so popular in the UK that it prompted the creation of two stage plays and a stage musical based on the show, all of which toured the UK, among many other spin-offs. In the late 1990s Channel Five repeated Prisoner in the UK. As of 2005 Five are running late-night repeats of Sons and Daughters.

Other shows to achieve varying levels of international success include Richmond Hill, E Street, Paradise Beach (1993-1994), and Pacific Drive (1995-1997). Indeed these last two series were designed specifically for international sales. Channel Seven's Home and Away, a teen soap developed as a rival to Neighbours, has also achieved significant and enduring success on UK television.

The only two Australian soap operas still broadcast in Australia are Neighbours and Home and Away. In their home country they both attract respectable although not spectacular ratings. Both shows continue to be broadcast in the UK, and this and other lucrative overseas markets, along with Australian broadcasting laws that enforce a minimum amount of local drama production for commercial television networks, ensure that both programs remain in production. Neighbours, which is currently celebrating its 20th Anniversary, was aired on the US channel Oxygen in March 2004, however it attracted few viewers, perhaps in part because it was scheduled opposite well-established and highly-popular US soap operas All My Children and The Young and The Restless, and due to low ratings it was cancelled shortly afterwards.

New Australian serial Headland began production in 2005. This show rose from the ashes of an aborted Home and Away spinoff that was to have been produced in conjunction with the UK's Channel Five, which screens Home and Away. The spin-off idea was cancelled after Channel Five pulled-out of the deal, which meant that the show could potentially screen on a rival UK channel, so Five requested that the new show developed as a stand-alone series and not feed off a series they own a stake in.

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Soap parodies

A few soap opera spoofs have been made. Two of the most famous U.S. spoofs were Mary Hartman, Mary Hartman and Soap. Australia also produced a spoof of its own unique brand of soap opera in the form of Shark Bay, which featured many former Australian soap stars from Sons and Daughters, Prisoner, Home and Away and Neighbours.
On British television, comedian Victoria Wood had a long-running spoof soap entitled Acorn Antiques on her sketch show (loosely based on ITV's Crossroads).
In the United States, Carol Burnett frequently ran a soap opera spoof on her show, called As the Stomach Turns, modeled in name after As the World Turns. Dramatic coincidences and missed cues (parodying a time in which soaps were broadcast live) were seen frequently, as well as the melodramatic welling of organ music, which was a staple on American serials until the 1970s.
A frequent staple of The Tonight Show with Johnny Carson was a soap opera spoof involving unsuspecting members of the studio audience called The Edge of Wetness, the title of which is a takeoff on The Edge of Night.
Futurama frequently features scenes from an almost all-robot soap, called All My Circuits. The robot Calculon is the show's star.
In the episode of Foster's Home for Imaginary Friends entitled "Berry Scary", the plot twists in the episode resemble those in a spoof of The Young and the Restless entitled The Loved and the Loveless.
Australian sketch comedy series Fast Forward featured the recurring Dumb Street skit, which parodied soap operas in general, but in particular Neighbours, Home and Away, E Street and A Country Practice.
"Moody's Point", a soap spoof appearing on several episodes of The Amanda Show.
U-Pick Live's "As The World Picks" segments.
Queer as Folk's show-within-a-show Gay as Blazes which humorously parodies Queer as Folk itself.
The Muppet Show parodied medical serials such as General Hospital and The Doctors in the skit Veterinarians' Hospital.
In the That '70s Show episode entitled "Vanstock," an out-of-work Red becomes addicted to soap operas and has a dream in which he and his wife play roles on a soap called "Point Place." The soap parody pokes fun at stereotypically "cheap" production (boom microphones peeking into the camera shot), "cheesy" soap dialogue and crying, and organ music.

Red: Oh, Kitty. What have I become?

Kitty: I don't know! You're not the man I married! And I'm not Kitty!

On the sitcom "Moesha", an episode was aired which parodied "The Young and The Restless" entitled "The Mo' and the Restless". This episode spoofed Y&R even to its opening. Another Y&R spoof (as far as opening-wise) was "Palm Beach", a skit on "Saturday Night Live" which lampooned the 2000 US Presidential Election.

Sunset Beach did a parody within itself. During one of the Thanksgiving episodes, the soap did a nod to VH1's "Pop-Up Video" by conveniently pointing out to viewers that a turkey baster used to baste a turkey wasn't the same one used in a storyline where one of the characters was impregnated by a turkey baster.

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