Bob Geldof

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Bob Geldof
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Bob Geldof

Robert Frederick Xenon Geldof, KBE (born October 5, 1951 in Dún Laoghaire, County Dublin) is an Irish singer, songwriter, actor and political activist, known simply as Bob Geldof. He is of Irish and Belgian extraction.

Contents

Early career

Geldof was educated at Blackrock College near Dublin, a school whose staunch Catholic nationalist ethos he disliked. He started as a music journalist in Vancouver, British Columbia, Canada for the weekly Georgia Straight publication before coming to fame in the mid-1970s as leader of the Boomtown Rats, a rock group closely linked with the punk movement. [1] In 1978, they had their first Number 1 single with "Rat Trap", which was the first New Wave chart-topper in the UK. A follow-up, "I Don't Like Mondays", was equally successful and also controversial, as Geldof wrote it in the aftermath of Brenda Ann Spencer's attempted massacre at an elementary school across the street from her house in San Diego, California at the beginning of 1979.

Geldof quickly became known as a colourful spokesman for rock music. The Boomtown Rats' first appearance on Ireland's The Late Late Show led to complaints from viewers. He had limited success as an actor, his most notable role being in the 1982 film Pink Floyd The Wall, based on the Pink Floyd album The Wall.

Charity work

The Band Aid single

By 1984 the Boomtown Rats' career had declined sharply. In November Geldof saw a BBC news report by Michael Buerk on the famine in Ethiopia and vowed to use the situation to do something. He called Midge Ure from Ultravox, and together they co-wrote the song, "Do They Know It's Christmas?".

Geldof kept a November appointment with BBC Radio 1 DJ Richard Skinner to appear on his show, but instead of discussing his new album as planned he used the airtime to publicise the idea for the charity single. This generated intense media interest in the subject.

He put together a group called Band Aid, consisting of leading British and Irish rock and pop musicians, all of whom were at the top of the industry.

The single was released just before Christmas 1984 with the aim of raising money for the relief of the famine. Geldof's somewhat cautious hope was for 70,000 pounds. Ultimately, however, the song raised many millions of pounds and became the biggest-selling single in UK chart history (until 1997). The song was re-recorded and released in 1989 under the Band Aid II banner, featuring artists such as Kylie Minogue and Jason Donovan. It was re-recorded again and released just before Christmas 2004 with a new group of musicians called Band Aid 20.

The idea was copied in the States a few months later, with the song "We Are The World", co-written by Michael Jackson and Lionel Richie, who was Geldof's first point of contact. It topped the charts on both sides of the Atlantic. Geldof attended the recording, which took place immediately after the January 28, 1985 American Music Awards, and he sang on the chorus at the end.

The Live Aid concert

Using the enormous success of the Band Aid single, Geldof went on to organise (and perform with the Rats at) the massive charity concert Live Aid, which raised unprecedented sums for the cause in June 1985. He travelled to many places, raising money. He even challenged Margaret Thatcher, leading to a major re-evaluation of British government policy towards famine relief.

Geldof has received many awards for this work, including an honorary knighthood from Queen Elizabeth II. As he is not a British or Commonwealth citizen, Geldof is precluded from using the title "Sir". Regardless, the nickname "Sir Bob" has stuck, and even media reports will frequently refer to him as "Sir Bob Geldof". On July 7, 2005, Geldof was nominated for the 2006 Nobel Peace Prize[2] because of his dedication to fight poverty and AIDS in Africa.

Today Geldof works closely with DATA (Debt, AIDS, Trade, Africa), an organization founded by U2's Bono to advocate for Africa.

The Live 8 concerts

On March 31, 2005 Geldof announced the Live 8 project to raise awareness of issues that he claims burden Africa, such as government debt, trade barriers, and AIDS issues. Geldof organised 5 concerts on Saturday July 2, 2005; in London with Elton John, U2, Coldplay, Madonna, Paul McCartney; another in Paris with Andrea Bocelli, Youssou N'Dour; in Rome with Duran Duran, Faith Hill; in Berlin with Brian Wilson, Crosby Stills & Nash; and, in Philadelphia with 50 Cent, Dave Matthews, Sarah McLachlan, and Stevie Wonder and Barrie, Ontario, Canada with Neil Young, The Barenaked Ladies, Bryan Adams, Deep Purple, Gordon Lightfoot and the Tragically Hip.

The seminal rock band Pink Floyd also performed together in London, in its classic lineup, for the first time since 1981.This was considered by many to be the highlight of the chorus of shows.

The shows were free, and were scheduled just days before world leaders gathered in Scotland for the G8 economic summit, on July 6. "The boys and girls with guitars will finally get to turn the world on its axis," Geldof said in a statement (01/06/05).

Criticism of Live 8

The promises made for Africa at the Gleneagles summit were widely praised: “the greatest summit for Africa ever” (Kofi Annan), “an important, if incomplete, boost to the development prospects of the poorest countries” (Prof Jeffrey Sachs) or “a major breakthrough on debt” (Kevin Wakins, until recently head of research at Oxfam). But many aid agenices prounounced they were disappointed with the outcome, which led some critics to claim that Live 8 had been more about rehabilitating the careers of aging rock stars, including Geldof himself, than it was about the poor people of Africa.

There was criticism too at the initial lack of African or black artists scheduled to play at some of the concerts. However Geldof responded that only the biggest-selling artists would attract the huge audience required to capture the attention of the world in the run-up to the G8 meeting and that there was insufficient public interest in African music among the concert's target markets in Europe and the United States. Including African artists at the expense of recognised artists would have been tokenist, he said, and would have undermined the effect of the concert.

There were also accusations that Live 8 gave unqualified support to Tony Blair's and Gordon Brown's personal and political agendas. Though many felt that it was the British politicians who had accepted Geldof's agenda, rather than the other way round, this led to accusations that Geldof had compromised his cause. In contrast with the media support given to Live Aid, Live 8 was subject to criticism by some sections of the media.

Fame and infamy

After Live Aid, Geldof became one of the world's most recognisable people. He became particularly known for his use of strong language in conversation, regardless of his target audience. It was widely claimed that he exhorted viewers to "give us your fuckin' money" in the course of an afternoon session at the BBC's Wembley studio during Live Aid. However this is an urban myth. He actually said "People are dying NOW. Give us the money NOW. Give me the money now." Shortly afterward he said "Fuck the address, just give the phone, here's the number..." when trying to emphasise the point of Live Aid as as a fundraising event.

Political views and controversies

Bob Geldof adopted an anti-euro stance by appearing in an advertisement against the single currency [3] in 2002. Geldof also criticised the European Union (EU) in 2004 for what he called its 'pathetic' response to Ethiopia's food crisis [4]. Glenys Kinnock, an MEP (Member of the European Parliament), has accused Bob Geldof of getting his facts wrong [5]. During a visit to Ethiopia, Geldof also praised President George W. Bush's proposal to fight AIDS in Africa [6]. This proposal has been criticised from aid groups due to its heavy emphasis on Christian morality and sexual abstinence [7]. Some critics have claimed that Bob Geldof is becoming the acceptable face of euroscepticism [8]. Geldof is also an active fathers' rights spokesperson in the United Kingdom [9].

Career after the Boomtown Rats

After Live Aid Geldof returned to his career as a musician, successfully releasing a series of solo albums. He also performed with David Gilmour and Thin Lizzy. Along with U2's Bono, he has devoted much time since 2000 to campaigning against African governments having to repay their debts to the first world countries and banks.

He has also worked as a DJ for XFM radio. (In 1998 he erroneously announced the death from cancer of Ian Dury, possibly due to hoax information from a listener disgruntled at the station's change of ownership. The incident caused music paper NME to call Geldof "the world's worst DJ".)

Relationship with Paula Yates

Paula Yates with Bob Geldof
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Paula Yates with Bob Geldof

As Geldof became world famous, his personal life was affected by bitter tragedy. He had met long-term partner Paula Yates when, as a rock journalist, she became an obsessed fan of the Rats in their early days. They got together as a couple when she hopped on an aeroplane to Paris to surprise him when the band was playing gigs there.

The couple married in 1986 after a long and happy relationship. They had two more daughters, Peaches Honeyblossom and Pixie Frou-Frou (the latter named after a celebrity daughter character from Celeb cartoon in the satirical magazine Private Eye, itself a lampoon of Geldof's earlier children's names), to follow their eldest, Fifi Trixibelle, who was born prior to their wedding. Simon Le Bon (of Duran Duran) was Geldof's best man.

Yates, former presenter of cutting-edge music show The Tube, left Geldof for Michael Hutchence, singer with INXS, whom she met when interviewing him on The Big Breakfast, the show produced by Geldof's production company after it won the contract to provide a morning news and entertainment show for Channel 4.

Yates had a daughter (named Heavenly Hiraani Tigerlily) with Hutchence. When Hutchence was found dead in a hotel room in 1997, Geldof went to court and obtained full custody of his three daughters. His experiences at the time of his divorce have led him to become an outspoken advocate of fathers' rights. After Yates's death from an overdose, Geldof became the legal guardian of Tigerlily, believing that she should be raised with her three half-sisters.

Geldof is profitably involved in business activities and was rumoured for a time to be considering seeking election to the office of President of Ireland in 2004. The rumours were later dismissed as the product of inaccurate media speculation.

Grumpy Old Man

In 2005 Geldof was featured in a BBC documentary called Grumpy Old Men. The show featured men of the baby boom era airing their grievances about life.

Genealogy

In his 1986 autobiography (with Paul Vallely) Is That It? (ISBN 014009363X), Geldof notes that his surname is extremely rare in Ireland and first appeared with his grandfather, who immigrated from Belgium at the start of the twentieth century.

Wealth

Geldof's wealth was estimated by Broadcast magazine in 2001 to be £30m [10], a position of 18th in a list of UK broadcasters.

He is currently embroiled in a legal wrangle with his former bandmates in the Boomtown Rats, the latter accusing him of withholding from them substantial profits from the bands' recordings.

Actor

Geldof played the central character Pink in the film of Pink Floyd's "The Wall".

Singles

Year Title Chart positions Album
US Hot 100 US Modern Rock US Mainstream Rock UK
1990 "Love or Something" - #24 - - Vegetarians of Love

External links

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